In the solace of his studio, after unexpected sad news, the abstract-expressionist painter,
listens to Samuel Barber’s “Adagio for Strings,” A sorrowful sounding piece of music, evoking a feeling of melancholy within his psyche. The sound compels him to repeatedly dip his creative brush into palette of two paints, splatter white then black, as if Jackson Pollock, on to a larger-than-life canvas, stretched out on a concrete floor, like a still corpse.
Later, an art critic, a young student of modern art, makes his way to the studio, gazes at this completed work of abstraction, ponders its representation.
After pondering the art for a few minutes, he makes an inquiry:
“What does it symbolize?”
The artist scratches his bald head, takes a puff of his cigarette, ponders the question, gazes at the artwork, responds as if a philosopher of religion:
“There is no title—only the expression of emotion. “
“You see, all of humanity lives in the light
for a time, where there’s hope.”
“Then descends into darkness—sometimes in life.
Other times in death—Perhaps for everlasting eternity.”
“I only know that we are born, we live, we hope, we suffer, and we die.”
“Our last moment in this world—unknown, Until we take our last breath.
“And so, to answer your question, white on canvas symbolizes light of life,
the eternal human spirit,
Black represents darkness of despair, the unknown journey–
life into death, then eternal afterlife.”